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Category: Movies


‘The Unbearable Weight of Massive Talent’ is a Nick Cage dream but general nightmare

This is a Nick Cage film-for-the-fans that kneels down and kisses his feet with every mention of his previous work.
  • Rylan Bassett
  • April 21, 2022

Students reminisce during 10-year anniversary screening of ‘The Hunger Games’

Celebrating a decade since the film’s release, SEE presented ‘The Hunger Games’ to students in Hoff Theater on Wednesday and Thursday.
  • Hanna Zakharenko
  • April 7, 2022

Review: Criterion Collection’s ‘The Last Waltz’ is a stunning blast from the past

Martin Scorsese’s 1978 documentary immerses you in The Band’s very last concert.
  • Dorvall Bedford
  • April 3, 2022

Review: HBO’s ‘Moonshot’ fails to provide a sense of reality

The film lacks chemistry between the leads and is too fantastical to be relatable.
  • Khushboo Rathore
  • March 31, 2022

‘Turning Red’ delights, but some characters feel two-dimensional

The film’s representation is admirable but it perpetuates unnecessary stereotypes.
  • Khushboo Rathore
  • March 16, 2022

Netflix’s ‘The Adam Project’ is a feel-good sci-fi

The film, released on Netflix on Friday, stars Ryan Reynolds in a time-traveling quest to prevent time travel from ever being invented.
  • Hanna Zakharenko
  • March 15, 2022

Those behind ‘The Batman’ reflect on the new film from script to screen

Robert Pattinson explained a young, fallible Batman is “more interesting to play.”
  • Rylan Bassett
  • March 1, 2022

Review: ‘The Batman’ debuts an imperfect hero in a fresh adaptation

The titular Dark Knight hones his detective skills with plenty of room to grow.
  • Rylan Bassett
  • February 28, 2022

Review: ‘A Madea Homecoming’ shows Tyler Perry at his worst

The character Madea returns in an offensive Netflix original.
  • Dorvall Bedford
  • February 27, 2022

Review: ‘The Worst Person In The World’ perfectly shows millennial anxiety

The Norwegian film expertly confronts ruthless growing pains with scenes that range from dumb to deep.
  • Victoria Stavish
  • February 23, 2022
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