‘The Shrouds’ paints a scattered, perceptive portrait of grief in the age of AI
The film follows Karsh, a businessman who monitors the decomposition of his wife’s corpse using a system called GraveTech.
‘Mickey 17’ is a rare misstep for director Bong Joon-ho
Joon-ho's tepid sci-fi comedy completely falls short of his 2019 masterpiece, Parasite.
‘Y2K’ delivers nostalgic dark comedy in advanced SEE screening
University of Maryland students got an exclusive screening of A24’s upcoming disaster comedy on Tuesday.
‘GUTS World Tour’ movie shows concert to film adaptations continue to work
Concert films could represent an exciting new way for audiences to engage with their favorite musicians.
Demi Lovato’s directorial debut spotlights the struggles of child actors
Actors share highs and lows of being in the spotlight at a young age in new Demi Lovato documentary.
‘Beetlejuice Beetlejuice’ delivers familiar gags, falls into character cliches
"The juice is loose" in the 'Beetlejuice' sequel's early screening.
Blumhouse loses its campy horror touch in ‘Imaginary’
Blumhouse has made perfectly campy films like “M3gan,” but “Imaginary” is just a bad movie.
‘Barbie’ was terrifyingly relatable
Barbie’s adventure to the real world is reminiscent of the horrifying realization of facing a possibly imperfect reality.
Review: ‘Your Place or Mine’ tells a story we’ve seen too many times
The leads have no chemistry or personality, leaving the film a waste of talent.
Review: ‘You People’ explores love and race relations with a timely commentary
A Timely Look at Relations Between the Black and Jewish Community.