Review: CyHi the Prynce mixes glory and sin on ‘No Dope on Sundays’ The seasoned G.O.O.D. Music rapper finally has his time to shine. Ayana Archie November 20, 2017
Review: T-Pain boastfully returns on ‘Oblivion’ The singer/rapper/NPR Tiny Desk phenom’s fourth studio album is both solid and troubling. Cameron Neimand November 20, 2017
Reviews: Taylor Swift’s ‘Reputation’ depends on who you’re asking Our staff lays out the best and worst moments of the pop star’s sixth studio album. Diamondback Staff November 16, 2017
The Kidz Bop version of Post Malone’s “Congratulations” will make you fear for the youth Watching six children sing the party anthem is terrifying. Patrick Basler November 12, 2017
Review: Tim Heidecker’s ‘Too Dumb For Suicide’ is anti-Trump folk-rock The protest album is the latest creative endeavor from the oddball entertainer. Cameron Neimand November 10, 2017
A second-by-second analysis of Harry Styles’ “Kiwi” music video Harry Styles may have created the cutest video of all time. Maeve Dunigan November 9, 2017
Review: Willow Smith endures growing pains on ‘The 1st’ The 17-year-old still has a lot of fine-tuning to do on her sophomore album. Ayana Archie November 8, 2017
An analysis of Justin Bieber’s latest tattoos The pop idol now has a chest that’s more ink than skin. Maeve Dunigan November 6, 2017
Review: Maroon 5’s ‘Red Pill Blues’ is a search for relevancy In their sixth studio album, the band’s use of hip-hop features comes up short. Cameron Neimand November 5, 2017
Cardi B and Nicki Minaj steal the show on Migos’ “MotorSport” The new radio-ready rap track is defined by girl power. Allison O'Reilly November 3, 2017