Review: Janelle Monáe’s ‘Dirty Computer’ marks a beckoning of innovation and truth It’s been five years, but Janelle Monáe’s new project is worth the wait. Ayana Archie May 1, 2018
Review: Kimbra’s ‘Primal Heart’ is better than you’d think — if a bit shallow The New Zealander doesn’t stick to one genre. Balbina Yang April 30, 2018
Review: Post Malone’s ‘Beerbongs and Bentleys’ is one long song Post Malone has pop-rap down to a science, and his new album sticks to the formula. Cameron Neimand April 30, 2018
Meek Mill is out of prison and reportedly will be at the 76ers game The rapper was imprisoned in November after he violated his probation. Jack Roscoe April 24, 2018
HHO returns to The Kennedy Center in hour-long set The orchestra curated a blend of covers and originals in its second appearance at the center. Ayana Archie April 19, 2018
Review: Tinashe’s ‘Joyride’ never gets going The singer’s new album has some hit potential, but meanders to the point of boredom. Cameron Neimand April 17, 2018
Review: Bazzi’s ‘Cosmic’ reveals the man behind the meme The singer behind the recent hit “Mine” released his debut album on April 12. Allison O'Reilly April 17, 2018
Review: Kylie Minogue’s ‘Golden’ is more bronze Minogue’s 14th studio album is feel-good at best. Balbina Yang April 12, 2018
Review: Rainbow Kitten Surprise reaches new heights on “How to: Friend, Love, Freefall” The indie band’s third album is it’s most lyrically developed. Allison O'Reilly April 11, 2018
Review: Kali Uchis is in full ascent on ‘Isolation’ The singer-songwriter’s new album showcases a star in the making. Cameron Neimand April 10, 2018