Review: Sacha Baron Cohen impresses in ‘Borat’ sequel
In a year as crazy as 2020, is satire really ridiculous anymore?
‘Da 5 Bloods’ proves Spike Lee is still cinema’s most vital voice
The director’s 23rd joint is just as potent as his greatest works.
Review: ‘The Hunt’ is needlessly violent in trying to prove its political point
We don’t need to watch people killing each other “for fun” to get that it’s deep, dude.
Review: ‘Balloon’ is an anxiety-inducing look into Cold War Germany
I was on the edge of my seat the entire time.
Review: Murder mystery ‘Knives Out’ doesn’t cut too deep
A mystery whodunit that doesn’t end up being so mysterious.
Review: ‘Suffragette’ leaves the glamour behind in revealing the struggle for women’s suffrage
The period piece is a tense drama that serves as a stark reminder for what we have left to accomplish.
Review: ‘The Report’ succeeds in breaking down the probe into CIA torture use after 9/11
"Getting the truth out should not have been that hard."
Review: ‘Last Christmas’ flips the rom-com genre on its head
It’s like getting socks for Christmas: sucks when you’re a kid, great when you’re an adult.
Review: ‘Stage Fright’ leaves the world of comedy behind
Jenny Slate puts her life on camera for all to see in her new deeply personal Netflix special.
Review: ‘El Camino: A Breaking Bad Movie’ picks up right where the series left us
If you thought you were done watching Jesse Pinkman’s life be ruined on screen, think again.