‘The Fever’ at The Clarice forced collaboration in the most artistic of ways Audience participation fueled the entirety of this nontraditional theater production. Allison O'Reilly April 9, 2018
After Noname cancels, Milo and student openers put on a show at SEE’s Terpstock Chicago rapper milo prefers you call his music “afronowism,” “neohoodoo” or “abomunistlite.” Anna Muckerman April 9, 2018
Stanley Tucci’s ‘Final Portrait’ lacks direction The film about an unlikely bond between two men falls as flat as its monochromatic color scheme. Hallie Miller April 9, 2018
Nickelodeon cut ties with Dan Schneider. Is it because he’s a creep? For years, the creator of ‘The Amanda Show,’ ‘iCarly’ and more included sexual innuendo in his children’s shows. Allison O'Reilly April 9, 2018
Review: Cardi B puts haters to shame on her debut album ‘Invasion of Privacy’ The Bronx rapper proves she has layers — and lots of bars. Ayana Archie April 8, 2018
Vince Staples and Lil Yachty to headline SEE’s Art Attack Vince Staples and Lil Boat are coming to UMD. Here’s what you need to know. Patrick Basler April 7, 2018
Review: ‘My Dear Melancholy,” is the Weeknd at his finest — dark and personal The Toronto singer’s latest project returns to what fans love about his mixtapes. Ayana Archie April 5, 2018
Review: ‘Blockers’ is better than it looks, seriously The comedy about parents’ attempts to keep their teenage daughters from having sex is funnier and less misogynistic than it sounds. Allison O'Reilly April 5, 2018
Review: Netflix’s ‘Take Your Pills’ smartly explains Adderall abuse The documentary uses dark imagery and in-depth interviews to depict the drawbacks — and benefits — of stimulant usage. Samantha Subin April 5, 2018
Review: Joel McHale’s Netflix show dazzles even as it finds its voice The ‘Community’ actor’s new show is similar to his previous work, ‘The Soup.’ Zach Phillips April 4, 2018