Review: Netflix’s ‘Rodney King’ is a powerful, tragic performance
The Spike Lee-directed one-man show is evidence of Netflix’s variety.
Review: In ‘Fun Home,’ a beautiful balance between humor and heart
The Broadway hit arrived at National Theatre last week.
Review: ‘S-Town’ is audio storytelling at its finest
The new podcast from the team behind ‘Serial’ has become a phenomenon for a reason.
Review: At Signature, ‘Mrs. Miller Does Her Thing’ and we’re glad for it
The world premiere of James Lapine’s newest play was funny and thought-provoking.
Review: In ‘The Amish Project,’ a conversation about moving on
The Clarice’s latest offering centers on a 2006 Amish school shooting.
Hirshhorn’s ecstatic ‘Infinity Mirrors’ cannot be contained
So immersive, demanding and enthralling a show does not do well to dwell within walls.
Review: Experimental comedy popera ‘Now I’m Fine’ entertains at The Clarice
Ahamefule J. Oluo’s unique show possesses the ability to connect to a wide range of audiences.
At The Clarice, ‘Being Earnest’ is as important as ever
Unconventional casting gives this oft-revived play a fresh feel.
Review: Olney Theatre Center’s ‘Sweeney Todd’ is chilling but lacks something
It’s tough to fully capture the intensity of the demon barber’s tale.
Review: The ‘Dear Evan Hansen’ soundtrack powerfully vocalizes teen struggles
The soundtrack is powerful, meaningful and, above all, great in the moment.