Review: ‘Antigone’ at The Clarice is a modern take on a classic Greek tale
The performance turns Kay Theatre into a magnificent Theban Palace.
Review: “Unto Itself” isn’t your typical installation art
The Maril Herman Gallery’s latest exhibit in the Art-Sociology building is refreshing and thought-provoking.
‘The Schooling of Bento Bonchev’ demonstrates how necessary love is in a sexless world
A new play at the Clarice Smith Performing Arts Center explores sex, education and the media.
Review: Netflix’s ‘Rodney King’ is a powerful, tragic performance
The Spike Lee-directed one-man show is evidence of Netflix’s variety.
Review: In ‘Fun Home,’ a beautiful balance between humor and heart
The Broadway hit arrived at National Theatre last week.
Review: ‘S-Town’ is audio storytelling at its finest
The new podcast from the team behind ‘Serial’ has become a phenomenon for a reason.
Review: At Signature, ‘Mrs. Miller Does Her Thing’ and we’re glad for it
The world premiere of James Lapine’s newest play was funny and thought-provoking.
Review: In ‘The Amish Project,’ a conversation about moving on
The Clarice’s latest offering centers on a 2006 Amish school shooting.
Hirshhorn’s ecstatic ‘Infinity Mirrors’ cannot be contained
So immersive, demanding and enthralling a show does not do well to dwell within walls.
Review: Experimental comedy popera ‘Now I’m Fine’ entertains at The Clarice
Ahamefule J. Oluo’s unique show possesses the ability to connect to a wide range of audiences.