Review: Rico Nasty’s ‘Nasty’ turns it up to 11
The Maryland rapper proves herself on her major label debut.
Review: Nathan Fielder is ‘David’ as only Nathan can be
In Dean Fleischer-Camp’s newest web-series, Fielder continues to shine as the master of deadpan.
How technology allows gender expression to flourish in the modern music scene
The artists of today have more avenues than ever to express their true selves.
Celebrate ‘National Cheeseburger Day’ with the most interesting burgers in the DMV
Seven delectable options to sink your teeth into.
Rest in peace, aux cord
Apple’s new announcement brings about the death of an all-time favorite.
Review: Alison Saar dissects history with symbolism and color at NMWA
On the latest jarring exhibit at the National Museum of Women in the Arts.
Review: ‘Chef’s Table: France’ proves the best art comes from the kitchen
The new spinoff from Netflix tells the inspiring stories of the people behind the culinary masterpieces.
Review: ‘The Hollars’ can’t find the right rhythm
The film tries to tackle emotional topics, but just ends up feeling jumbled.
Review: Kylie Minogue’s ‘Golden’ is more bronze
Minogue’s 14th studio album is feel-good at best.
Stanley Tucci’s ‘Final Portrait’ lacks direction
The film about an unlikely bond between two men falls as flat as its monochromatic color scheme.