Review: ‘Guardians of the Galaxy Vol. 2’ is a respectable superhero sequel James Gunn’s new Marvel movie is fun, if a little too fan-friendly. Taylor Stokes May 4, 2017
Fyre Festival’s flop is everything wrong with social media What Ja Rule’s music festival fiasco says about Instagram culture. Hannah Yasharoff May 3, 2017
‘The Schooling of Bento Bonchev’ demonstrates how necessary love is in a sexless world A new play at the Clarice Smith Performing Arts Center explores sex, education and the media. Lillian Andemicael May 3, 2017
Review: Gorillaz’s ‘Humanz’ is full of individualism, but lacks unity It’s more like a mixtape than an album. Taylor Stokes May 2, 2017
Review: On ‘What Now,’ Sylvan Esso showcase genuine love for their art The duo isn’t creating music for the masses. Lillian Andemicael May 2, 2017
DJ Khaled’s “I’m The One” proves music video advertising is alive and well Khaled is a marketing genius and he’s not slowing down. Maeve Dunigan May 1, 2017
Review: Netflix’s ‘Rodney King’ is a powerful, tragic performance The Spike Lee-directed one-man show is evidence of Netflix’s variety. Patrick Basler May 1, 2017
‘Girlboss’ uniquely portrays depth in social media communication Netflix’s new show about fashion icon Sophia Amoruso shows the good and bad sides of the internet. Hannah Yasharoff April 30, 2017
Review: Cashmere Cat’s ‘9’ reimagines the pop song The producer’s debut album — which features Ariana Grande, The Weeknd and more — takes radio-ready music in weird, wonderful directions. Patrick Basler April 30, 2017
Tim Robinson is one of comedy’s most unique voices The ‘Detroiters’ comedian and writer creates characters that live in worlds of their own. Freelance Reporter April 27, 2017