Review: Unexpected Stage Company’s ‘Zombie Prom’ is funny but forgettable
It’s the mix between ‘Grease’ and ‘The Walking Dead’ you didn’t necessarily need.
Review: “ICEBERGS” at Building Museum is Washington’s worst exhibition
“ICEBERGS” attempts to follow in this legacy of “WONDER” and “BEACH”, but lacks any of the quality that made the other two shine.
REVIEW: ‘The Flick’ at Signature Theatre wows with realism
Annie Baker’s Pulitzer-Prize winning play about a movie theater thrives off its bold singularity.
Review: At Signature, ‘Mrs. Miller Does Her Thing’ and we’re glad for it
The world premiere of James Lapine’s newest play was funny and thought-provoking.
Review: Ballet West’s ‘The Nutcracker’ brings holiday magic to the Kennedy Center
‘The Nutcracker’ at the Kennedy Center shines in every way.
Review: MFA dance thesis forces introspection and characterizes light
“Within wait also comes hope.”
The art of protest at the March for Our Lives
Homemade signs and sculptures calling for an end to gun violence rose above thousands of protestors in Washington D.C. on March 24.
ART REVIEW: “Turquoise Mountain” at the Freer|Sackler is beautiful but tone-deaf
The show, which opened Saturday, promises via news release to transform the Smithsonian’s International Gallery into a “vibrant marketplace of Old Kabul.”
Review: In ‘The Amish Project,’ a conversation about moving on
The Clarice’s latest offering centers on a 2006 Amish school shooting.
Review: Olney Theatre Center’s ‘A Christmas Carol: A Ghost Story’ proves hauntingly unorthodox
The one-man show version of the age-old tale is pretty delightful.