REVIEW: Valli with a Why: What is up with the ‘Jersey Boys’ backdrop?
The National Theatre performance was serviceable but strange.
Artist Wafaa Bilal looks to continue the conversation at Stamp
The Iraqi-born artist has rose to prominence by creating political art aimed at sparking dialogue.
ART REVIEW: Massive print show at National Gallery chronicles uniquely American rage
Among other things, “Three Centuries of American Prints” showcases works of public displeasure.
REVIEW: ‘The Flick’ at Signature Theatre wows with realism
Annie Baker’s Pulitzer-Prize winning play about a movie theater thrives off its bold singularity.
ART REVIEW: “Turquoise Mountain” at the Freer|Sackler is beautiful but tone-deaf
The show, which opened Saturday, promises via news release to transform the Smithsonian’s International Gallery into a “vibrant marketplace of Old Kabul.”
Defending Driskell: The center makes necessary changes amid Cole renovations
Dorit Yaron wanted to know how the renovations would affect the African-American art museum.
‘Baltimore’ seeks to spark open dialogues on race
‘Baltimore,’ a tale that aims to spark dialogue about the contentious racial issues sweeping U.S. universities, will hit the Kay Theatre stage in the Clarice Smith Performing Arts Center at the University of Maryland.
PREVIEW: ‘Oh, Hello’ brings an unseemly comedy duo to the Washington stage
It’s a show about friendship. And tuna.
REVIEW: ‘Guards at the Taj’ approaches beauty with grim humor
Black comedy ‘Guards at the Taj’ opened Friday night at Woolly Mammoth Theater in Washington.
ART REVIEW: Silent Dialogue: Helen Frederick at the Phillips
These lovely works ought to be enjoyed, contemplated and walked among in peaceful, quiet perfection. Let the art do the talking, if you will.