Review: Renwick Gallery’s ‘Connections’ falls short
The exhibit wasn’t bad, but it fails to engage its audience.
Review: UCB’s ‘We Know How You Die!’ is a delight at Woolly Mammoth
The improv group makes magic every night in their new Washington show.
Review: “ICEBERGS” at Building Museum is Washington’s worst exhibition
“ICEBERGS” attempts to follow in this legacy of “WONDER” and “BEACH”, but lacks any of the quality that made the other two shine.
Reveling in the ruins: Hubert Robert shines at National Gallery
In first U.S. monograph, French artist shows depth and prowess.
‘The Wizard of Oz’ at The National Theatre is a standard retelling of a classic story
With an amazing set and tech, the show puts the 1939 film onstage.
Art for the students, by the students in the Stamp Gallery
Through the university’s Contemporary Art Purchasing Program, undergraduate students – and sometimes the occasional graduate student, too – are able to add new art to Stamp’s permanent collection.
REVIEW: Marine Band, UMD Symphony WWI program at The Clarice was no less than performance art
The one-time show was a breathtaking display of history through music.
SpongeBob Squarepants makes his way to Broadway
“Spongebob the Musical” is set to premiere this June in Chicago, eventually making its way to Broadway sometime during the 2016-2017 season.
Signature Theatre’s ‘The Mystery of Love & Sex’ raises more questions than it answers
The high-striving production goes through such painstaking efforts to address a whole bevy of difficult topics that it just ends up saying very little at all.
REVIEW: ‘The Nether’ at Woolly Mammoth is hard to stomach
The play depicts a harsh, not-too-distant future.