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Category: Arts


Reveling in the ruins: Hubert Robert shines at National Gallery

In first U.S. monograph, French artist shows depth and prowess.
  • Evan Berkowitz
  • June 29, 2016

‘The Wizard of Oz’ at The National Theatre is a standard retelling of a classic story

With an amazing set and tech, the show puts the 1939 film onstage.
  • Maeve Dunigan
  • May 10, 2016

Art for the students, by the students in the Stamp Gallery

Through the university’s Contemporary Art Purchasing Program, undergraduate students – and sometimes the occasional graduate student, too – are able to add new art to Stamp’s permanent collection.
  • Mel DeCandia
  • May 4, 2016

REVIEW: Marine Band, UMD Symphony WWI program at The Clarice was no less than performance art

The one-time show was a breathtaking display of history through music.
  • Evan Berkowitz
  • May 2, 2016

SpongeBob Squarepants makes his way to Broadway

“Spongebob the Musical” is set to premiere this June in Chicago, eventually making its way to Broadway sometime during the 2016-2017 season.
  • Maeve Dunigan
  • April 20, 2016

Signature Theatre’s ‘The Mystery of Love & Sex’ raises more questions than it answers

The high-striving production goes through such painstaking efforts to address a whole bevy of difficult topics that it just ends up saying very little at all.
  • Josh Magness
  • April 17, 2016

REVIEW: ‘The Nether’ at Woolly Mammoth is hard to stomach

The play depicts a harsh, not-too-distant future.
  • Michael Errigo
  • April 12, 2016

REVIEW: Valli with a Why: What is up with the ‘Jersey Boys’ backdrop?

The National Theatre performance was serviceable but strange.
  • Evan Berkowitz
  • April 10, 2016

Artist Wafaa Bilal looks to continue the conversation at Stamp

The Iraqi-born artist has rose to prominence by creating political art aimed at sparking dialogue.
  • Josh Magness
  • April 6, 2016

ART REVIEW: Massive print show at National Gallery chronicles uniquely American rage

Among other things, “Three Centuries of American Prints” showcases works of public displeasure.
  • Evan Berkowitz
  • March 30, 2016
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