ART REVIEW: “Turquoise Mountain” at the Freer|Sackler is beautiful but tone-deaf
The show, which opened Saturday, promises via news release to transform the Smithsonian’s International Gallery into a “vibrant marketplace of Old Kabul.”
Defending Driskell: The center makes necessary changes amid Cole renovations
Dorit Yaron wanted to know how the renovations would affect the African-American art museum.
‘Baltimore’ seeks to spark open dialogues on race
‘Baltimore,’ a tale that aims to spark dialogue about the contentious racial issues sweeping U.S. universities, will hit the Kay Theatre stage in the Clarice Smith Performing Arts Center at the University of Maryland.
PREVIEW: ‘Oh, Hello’ brings an unseemly comedy duo to the Washington stage
It’s a show about friendship. And tuna.
REVIEW: ‘Guards at the Taj’ approaches beauty with grim humor
Black comedy ‘Guards at the Taj’ opened Friday night at Woolly Mammoth Theater in Washington.
ART REVIEW: Silent Dialogue: Helen Frederick at the Phillips
These lovely works ought to be enjoyed, contemplated and walked among in peaceful, quiet perfection. Let the art do the talking, if you will.
REVIEW: ‘West Side Story’ at Signature Theatre is a classic success
Bringing a musical as revered as “West Side Story” to the stage is akin to placing it under a microscope.
REVIEW: National Gallery’s ‘Power and Pathos’ exhibit shows a world long faded
A new exhibition at the National Gallery of Art shines a light on the Hellenistic period.
Review: World Bank Group unveils new art exhibition ‘Uprooted’
The exhibition features work of various mediums for a unified purpose.
Bringing the metal back to Maryland
NextNOW’s screening of “Heavy Metal Parking Lot” was a rock ‘n’ roll time machine set for 30 years ago.