REVIEW: Marine Band, UMD Symphony WWI program at The Clarice was no less than performance art
The one-time show was a breathtaking display of history through music.
SpongeBob Squarepants makes his way to Broadway
“Spongebob the Musical” is set to premiere this June in Chicago, eventually making its way to Broadway sometime during the 2016-2017 season.
Signature Theatre’s ‘The Mystery of Love & Sex’ raises more questions than it answers
The high-striving production goes through such painstaking efforts to address a whole bevy of difficult topics that it just ends up saying very little at all.
REVIEW: ‘The Nether’ at Woolly Mammoth is hard to stomach
The play depicts a harsh, not-too-distant future.
REVIEW: Valli with a Why: What is up with the ‘Jersey Boys’ backdrop?
The National Theatre performance was serviceable but strange.
Artist Wafaa Bilal looks to continue the conversation at Stamp
The Iraqi-born artist has rose to prominence by creating political art aimed at sparking dialogue.
ART REVIEW: Massive print show at National Gallery chronicles uniquely American rage
Among other things, “Three Centuries of American Prints” showcases works of public displeasure.
REVIEW: ‘The Flick’ at Signature Theatre wows with realism
Annie Baker’s Pulitzer-Prize winning play about a movie theater thrives off its bold singularity.
ART REVIEW: “Turquoise Mountain” at the Freer|Sackler is beautiful but tone-deaf
The show, which opened Saturday, promises via news release to transform the Smithsonian’s International Gallery into a “vibrant marketplace of Old Kabul.”
Defending Driskell: The center makes necessary changes amid Cole renovations
Dorit Yaron wanted to know how the renovations would affect the African-American art museum.