The art of protest at the March for Our Lives
Homemade signs and sculptures calling for an end to gun violence rose above thousands of protestors in Washington D.C. on March 24.
Alumni artist Korey Richardson explores color, line and metaphor in new exhibit
The 2016 graduate is showcasing several pieces, which he completed during his time here, at MilkBoy ArtHouse.
Critics say Kehinde Wiley’s new Obama portrait is without precedent. They’re wrong.
Despite claims that the newest presidential portrait is unique, it has a clear predecessor.
“False Monarchy” at the Stamp Gallery takes on the cult of consumerism
The Stamp Gallery’s newest exhibition highlights the student center’s commitment to showcasing contemporary art.
Driskell Center’s “Portraits of Who We Are” exhibit explores African-American identity
The new exhibition showcases self-expression through a collection of 45 self-portraits and nine portraits.
‘Love and Information’ challenges both the cast and the audience
Performed at The Clarice, the play is broken into 57 mini-stories.
Review: ‘Antigone’ at The Clarice is a modern take on a classic Greek tale
The performance turns Kay Theatre into a magnificent Theban Palace.
Review: “Unto Itself” isn’t your typical installation art
The Maril Herman Gallery’s latest exhibit in the Art-Sociology building is refreshing and thought-provoking.
‘The Schooling of Bento Bonchev’ demonstrates how necessary love is in a sexless world
A new play at the Clarice Smith Performing Arts Center explores sex, education and the media.
Review: Netflix’s ‘Rodney King’ is a powerful, tragic performance
The Spike Lee-directed one-man show is evidence of Netflix’s variety.