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Author: Cameron Neimand

  • E-mail Cameron

Review: Justin Timberlake is a Tribeca-dwelling ‘Man of the Woods’

The album is a rare misstep from the pop icon.
  • Cameron Neimand
  • February 7, 2018

Review: On ‘Amen’, Rich Brian makes his world debut

The 18-year-old previously known as Rich Chigga moved from Jakarta to Los Angeles to pursue his poetic style of rap.
  • Cameron Neimand
  • February 5, 2018

Review: Migos’ ‘Culture II’ is a trap marathon

The Atlanta trio’s new album serves up the bangers people want — in mass quantity.
  • Cameron Neimand
  • January 29, 2018

Review: Miguel’s ‘War and Leisure’ is an audial aphrodisiac

The R&B singer’s new album sexy music about sex.
  • Cameron Neimand
  • December 8, 2017

Review: T-Pain boastfully returns on ‘Oblivion’

The singer/rapper/NPR Tiny Desk phenom’s fourth studio album is both solid and troubling.
  • Cameron Neimand
  • November 20, 2017

‘Nathan For You’ is your favorite comedian’s favorite show

Reaction to the the show’s fourth-season finale proves its status as a living cult classic.
  • Cameron Neimand
  • November 13, 2017

Review: Tim Heidecker’s ‘Too Dumb For Suicide’ is anti-Trump folk-rock

The protest album is the latest creative endeavor from the oddball entertainer.
  • Cameron Neimand
  • November 10, 2017

Review: Maroon 5’s ‘Red Pill Blues’ is a search for relevancy

In their sixth studio album, the band’s use of hip-hop features comes up short.
  • Cameron Neimand
  • November 5, 2017

Review: George Clooney’s ‘Suburbicon’ is a well-intended disappointment

Despite being co-written by the Coen brothers, ‘Suburbicon’ never finds its purpose.
  • Cameron Neimand
  • November 1, 2017

Review: On ‘Beach House 3,’ Ty Dolla $ign navigates the highs and lows of fame

The final part of the mixtape trilogy blends R&B, rock, pop and hip-hop with a host of famous voices.
  • Cameron Neimand
  • October 29, 2017
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