‘Saturday Night’ unveils the chaos of SNL’s debut
The Saturday Night movie reimagines the first night of the comedy-sketch show SNL before its on air premiere in 1975.
‘Joker: Folie a Deux’ is a divisive, musical whirlwind
'Folie à Deux' is a critique of pop culture's glorification of the original Joker character, which ignored the murderer behind the easily mimicked clown makeup.
‘The Substance’ delivers on a satirical, gory good time
Coralie Fargeat’s second feature about unrealistic, destructive beauty standards is a home run.
‘Challengers’ serves up a dizzying tale of love, manipulation
'Challengers' explores rivalry and ambition, but intrinsically less about tennis and more about what the game represents.
‘The Fall Guy’ hits its mark in SEE advance screening
A cardboard cutout of Ryan Gosling greeted attendees of 'The Fall Guy' advanced screening in Stamp Student Union.
Alex Garland explores an apocalyptic America in ‘Civil War’
The film follows a team of journalists as they traverse a war-torn United States during the Second American Civil War.
‘Kung Fu Panda 4’ embraces change but forgets its past
With new characters and higher stakes, some of the franchise's strongest elements were erased.
‘Dune: Part Two’ is this year’s blockbuster messiah
Denis Villeneuve strengthens his grip on the science-fiction genre in his follow-up adaption of Frank Herbert’s seminal classic.
Ethan Coen delivers wild getaway ride in directorial debut ‘Drive-Away Dolls’
Ethan Coen’s first solo directing venture apart from the Coen brothers duo leaves much to be desired, but it didn't make the film any less enjoyable.
UMD alum shines in cinematographer role, yet low budget bogs down film’s style
University of Maryland alumni Joe Tyler is the cinematographer for a new science fiction indie film.