The good and bad of ‘RuPaul’s Drag Race’
A look into the positives and negatives of everyone’s favorite drag queen show.
The launch of Viceland has food, comedy and potential
‘Vice”s new television network brings the popular documentary features and reality-styled offerings of the multimedia giant’s online content to the small screen.
How political humor has become the driving force of ‘Saturday Night Live’
SNL’s political sketches have quickly become a centerpiece and anchor of the show, as they not only poke fun at the most notable political players, but also dramatically shift public perception of candidates.
‘Broad City’ is back and better than ever
Ilana Glazer and Abbi Jacobson return with the same loud, unapologetic voice.
REVIEW: Netflix’s ‘Love’ is not worth your binge time
Judd Apatow’s latest offering is standout in the rom-com TV genre only through its mediocrity.
Professor X: University’s resident ‘X-Files’ expert is bringing her work to students
Anne Simon works to keep the “science” in “science fiction.”
REVIEW: ‘The New Yorker Presents’ a work of journalistic art
The famed magazine makes a leap into television and sticks the landing.
What the Trevor Noah ‘Daily Show’ is missing
Looking back, the success of Jon Stewart’s ‘Daily Show’ had little to do with jokes but everything to do with where those jokes were directed.
The ‘Gilmore Girls’ revival might be bad, but fans will love it
The reboot comes almost 10 years after the Gilmores originally stole our hearts.
Breaking down the explosive popularity of ‘Making a Murderer’
What makes Netflix’s 10-part documentary series stand out in the true crime genre?