Review: Claire Underwood steals the spotlight in the new season of ‘House of Cards’
The newest installment of the Netflix original offers immense character development for Robin Wright.
Why TV title sequences are important
The best shows give their audience something different in each opening sequence.
Review: Chris Gethard’s ‘Career Suicide’ tells important stories about depression and comedy
The new HBO special premiered May 6.
On episode ten of The Dive, things come to an end
Three stories of reflection in our final episode of the year.
Review: ‘American Gods’ tells an outlandish tale with a minimalist style
The new Starz series is an adaptation of Neil Gaiman’s renowned novel.
Review: ‘The Handmaid’s Tale’ is really, truly terrifying
The show feels like a new form of Orwell’s ‘1984.’
Review: Netflix’s ‘Rodney King’ is a powerful, tragic performance
The Spike Lee-directed one-man show is evidence of Netflix’s variety.
‘Girlboss’ uniquely portrays depth in social media communication
Netflix’s new show about fashion icon Sophia Amoruso shows the good and bad sides of the internet.
Tim Robinson is one of comedy’s most unique voices
The ‘Detroiters’ comedian and writer creates characters that live in worlds of their own.
Re-imagining TV shows as musicals
‘Friends’ is getting a Broadway makeover. Why not other shows?