Critics say Kehinde Wiley’s new Obama portrait is without precedent. They’re wrong.
Despite claims that the newest presidential portrait is unique, it has a clear predecessor.
Signature Theatre’s ‘The Mystery of Love & Sex’ raises more questions than it answers
The high-striving production goes through such painstaking efforts to address a whole bevy of difficult topics that it just ends up saying very little at all.
What will be the next ‘American Crime Story’ to hit the airwaves?
Five suggestions for where FX’s hit true crime TV series could go next.
REVIEW: Valli with a Why: What is up with the ‘Jersey Boys’ backdrop?
The National Theatre performance was serviceable but strange.
Review: Camila Cabello’s debut album proves she can shine on her own
After she left Fifth Harmony, the 20-year-old’s solo album ‘Camila’ is bold and personal.
Bathroom brilliance: The poetry of McKeldin Library’s many restroom writings
The graffiti that covers the stalls in McKeldin is worth a read.
Review: ‘Lady Bird’ perfectly depicts mother-daughter relationships
Greta Gerwig’s new film lives up to the hype.
The idea behind Cheddar, a new finance channel for millennials
Ex-Buzzfeed big cheese wants to teach young people how to manage money.
Review: Tame Impala’s ‘B-Sides’ EP is a peek into the band’s future
The psychedelic rock band’s latest release includes three new songs and two remixes.
Review: ‘Lady Dynamite’ season two is a surrealist success
Maria Bamford continues to carry the uniquely hilarious Netflix series.