Review: Beyoncé stole the show on ‘Everything Is Love’
Mrs. Carter should’ve just released a solo album
The human appeal of historical dramas
The combination of past events and relatable emotion can be potent.
‘Nevermind’ 25 years later: the impact of Nirvana’s dark, hooky masterpiece
Also, a reminder that the cover had a baby’s penis on it.
Review: Amy Schumer’s ‘I Feel Pretty’ is not that ugly
Being pretty and feeling pretty are two separate ideals.
Review: Janelle Monáe’s ‘Dirty Computer’ marks a beckoning of innovation and truth
It’s been five years, but Janelle Monáe’s new project is worth the wait.
The hunt for fast, healthy food on Route 1
When you’re in a hurry but don’t want to feel awful, where do you turn?
Recap: The ‘Westworld’ season two premiere was intense and intriguing
What the first episode says about the HBO show’s new season.
SEE’s spring comedy show brings past and present SNL members to UMD
Streeter Seidell, Alex Moffat and Vanessa Bayer cracked jokes in Stamp’s Grand Ballroom.
‘Suicide Squad: The Album’ and how we should judge movie soundtracks
‘Suicide Squad’ the movie was pretty bad — but its soundtrack wasn’t. How do we make sense of that?
‘The Fever’ at The Clarice forced collaboration in the most artistic of ways
Audience participation fueled the entirety of this nontraditional theater production.