Katsucon: The good, the bad and the ugly
There are plenty of fun aspects of the convention, but it’s expensive, and the timing isn’t quite right.
These are October’s best new music videos
From Camila Cabello to Ski Mask the Slump God, these videos are LIT.
REVIEW: The many sides of ‘The Life of Pablo’
The purported best album of all time can’t be assessed in one review, so we wrote five.
REVIEW: ‘Deadpool’ is a formulaic comedy with an antihero twist
‘Deadpool’ is a strange beast, an unconventional mix of over-the-top violence and unrelenting comedy.
LASTING IMPACT: Mel Brooks and the greatest comedy of our time
“Piss on you, I’m working for Mel Brooks!”
The hidden treasures of the WMUC record library
A spiraling metal staircase leads to an iron nest of latticed floor and shelves. On those shelves sit pieces of history, too innumerable to count.
Review: Demi Lovato’s ‘Tell Me You Love Me’ is pop reinvention done right
The singer’s new album benefits from varied production and strong songwriting.
‘How to Get Away with Murder’ season premiere poses as many questions as it answers
Season 4 of the Shonda Rhimes drama begins with conclusion.
Review: “Unto Itself” isn’t your typical installation art
The Maril Herman Gallery’s latest exhibit in the Art-Sociology building is refreshing and thought-provoking.
Review: Jacob Sartorius is growing up and his music is glo’ing up
The teen singer’s latest song, “No Music,” is his most impressive yet, but that doesn’t mean it was good.