Review: ‘To All The Boys I’ve Loved Before’ diversifies the rom-com genre
It’s not a groundbreaking movie, but Netflix’s new rom-com makes strides in its casting.
Barbara Kruger brings voyeuristic cultural commentary to the National Gallery
A new exhibit in the National Gallery of Art’s East Building features 15 of her most prolific works.
Review: Timely yet controversial, ‘The Birth of a Nation’ depicts a jarring fight for freedom
The film finds its otherwise powerful message muddled by off-screen baggage.
Stop trying to quantify musical plagiarism
A lawsuit against Ed Sheeran is frivolous and baffling.
Review: ‘Nancy’ leaves audiences questioning their personal lives
The Sundance winner is a thought-provoking thriller lacking in backstory.
Review: ‘Vice Principals’ seems poised for a stellar second season
The show’s first season was onto something — but how will the second stack up?
Bringing the metal back to Maryland
NextNOW’s screening of “Heavy Metal Parking Lot” was a rock ‘n’ roll time machine set for 30 years ago.
Review: Clint Eastwood’s ‘Sully’ makes a crash landing
Starring Tom Hanks, the 96-minute film has high-flying aspirations but never takes off.