‘The Leftovers’ enters its third and final season as the best show on television
Every character is searching for something.
An ode to ‘Teen Vogue’ (or the marriage of sex tips and hard news)
How women’s magazines are responding to the age of Trump.
Review: Part 2 of ‘The Get Down’ loses a bit of the magic
In a lot of ways, the show has outgrown the narrative it tells.
‘Sesame Street’ and why we need lessons on autism in children’s shows
Julia “does things a little differently,” as fellow Muppet Abby Cadabby puts it. “In a ‘Julia’ sort of way.”
Review: ‘What It Means When A Man Falls From the Sky’ captures the gritty strength of women
Lesley Nneka Arimah’s debut book of short stories focuses on grief and feminine power.
Review: The Sakura Matsuri Japanese Street Festival meshes culture and fun
The festival was both informative and engaging.
The evolving representation of queer media
From 2000’s ‘Queer as Folk’ to last year’s ‘Moonlight,’ LGBT-oriented media has grown more dynamic.
Review: Father John Misty critiques our society and himself on “Pure Comedy”
He deconstructs everything we know to be normal.
A minute-by-minute analysis of Harry Styles’ “Sign of the Times”
The former One Direction star released his overwhelming new single on Friday.
Review: Timber Timbre tackle the insanity of 2016
‘Sincerely, Future Pollution,’ is melancholic but inventive.