Review: ‘S-Town’ is audio storytelling at its finest The new podcast from the team behind ‘Serial’ has become a phenomenon for a reason. Michael Errigo April 5, 2017
The case against Disney remakes It’s 2017. Can we write new stories, please? Taylor Stokes April 4, 2017
Drake is not a culture vulture Some have accused Drizzy of cultural appropriation. Those claims are false. Lillian Andemicael April 4, 2017
Review: ‘The Discovery’ explores the line between life and death The new Netflix acquisition provides captivating speculation about the afterlife. Jarod Golub April 4, 2017
The new ‘Justice League’ movie looks like a recycled ‘Avengers’ And other worries about this summer’s superhero blockbusters. Samuel Antezana April 3, 2017
On the improbable return of ‘Rick and Morty’ The April Fools’ Day premiere was the TV-equivalent of ‘Lemonade.’ John Powers April 3, 2017
Review: Aimee Mann’s ‘Mental Illness’ finds peace within the sadness The singer-songwriter walks the fine line of subdued and uplifting. Taylor Stokes April 3, 2017
Hip-hop goes global on a new episode of The Dive An exploration Kanye, ‘More Life’ and the Spanish rap scene in the latest episode. Diversions Staff April 2, 2017
Review: Pharmakon’s ‘Contact’ is an all-out sonic assault Margaret Chardiet’s third album for the project is punishing and visceral. David Sexton April 2, 2017
Review: Nelly Furtado’s ‘The Ride’ is creative and anomalous Yes, she’s still making music. And it’s pretty good. Lillian Andemicael April 2, 2017