Review: ‘Victoria & Abdul’ is boring at best, revisionist at worst Even if you love Victorian royalty, the Stephen Frears film falls short. Lillian Andemicael September 29, 2017
Review: ‘Young Sheldon’ has nothing new to say ‘The Big Bang Theory’ prequel is the type of art that makes you feel uncomfortable — in a bad way. Hannah Yasharoff September 27, 2017
Why Instagram’s new “Follows You” update is bad for our health The latest release means it’s easier than ever to track lost followers. Samantha Subin September 27, 2017
Review: Wes Anderson’s ‘Isle of Dogs’ trailer is sooo Wes Anderson Fans of the quirky director won’t be disappointed by the latest animation film, set for release in March 2018. Zach Phillips September 27, 2017
Review: “Unto Itself” isn’t your typical installation art The Maril Herman Gallery’s latest exhibit in the Art-Sociology building is refreshing and thought-provoking. Lillian Andemicael September 27, 2017
Review: ‘The Autobiography of Gucci Mane’ explains the rapper’s recent lifestyle changes Burr! Allison O'Reilly September 26, 2017
Review: Macklemore wants to be rap’s next best Gemini The Seattle rapper’s Ryan Lewis-less solo project lacks presence and purpose. Cameron Neimand September 26, 2017
Review: ‘mother!’ turns its unoriginal plot into a strange, brilliant thriller Darren Aronofsky’s newest film is unsettling and allegorical. Balbina Yang September 26, 2017
Review: ‘The Good Place’ is a case study in terrific television Season two of the NBC comedy is subtly thought-provoking and excellent. Hannah Yasharoff September 25, 2017
Review: ‘Gaga: Five Foot Two’ is an intimate look behind Lady Gaga’s poker face The new Netflix documentary isn’t afraid to show the singer at her worst. Maeve Dunigan September 25, 2017