Review: Frank Ocean’s ‘Endless’ deserves attention of its own
The overlooked visual album proves that Ocean used up every minute of his hiatus.
Review: Travis Scott’s ‘Birds in the Trap Sing McKnight’ puts atmosphere first
Scott’s newest album is as dark, moody and catchy as you’d expect.
Review: Isaiah Rashad proves himself to be a heavyweight on the powerful ‘Sun’s Tirade’
TDE’s most unknown star turns personal struggle into musical triumph.
Review: Børns shines with dazzling vocals at SEE’s Back to School Concert
Around 1,200 Terps huddled in Ritchie Coliseum for a night with the 24-year-old indie pop singer.
Preview: Of Montreal to bring a different sound to the 9:30 Club
The American rock band will bring a new sound to the Washington, D.C. venue.
The slow, mysterious disappearance of Odd Future
What ever happened to the quirky hip-hop collective?
Review: Britney Spears falls well short of a comeback on ‘Glory’
The singer’s ninth studio album does little to bring her out of the shadows of current pop charts.
‘Suicide Squad: The Album’ and how we should judge movie soundtracks
‘Suicide Squad’ the movie was pretty bad — but its soundtrack wasn’t. How do we make sense of that?
Review: Glass Animals’ ‘How to Be a Human Being’ puts a priority on guilty pleasures
The Oxford, England,-based group’s sophomore effort is a strange, hypnotic telling of 11 fictional stories through song.
Kanye West let his new video do the talking at the VMAs
“Fade” both impresses and scars while Kanye (barely) keeps it together.