Review: Pharmakon’s ‘Contact’ is an all-out sonic assault
Margaret Chardiet’s third album for the project is punishing and visceral.
Review: Nelly Furtado’s ‘The Ride’ is creative and anomalous
Yes, she’s still making music. And it’s pretty good.
2 Chainz to headline Art Attack 34
Presale tickets for the May 5 show go on sale Friday.
Review: ‘The String Quartets’ is classic(al) Jethro Tull
Featuring the Carducci String Quartet, the album is inventive and refreshing.
Reviews: How does Drake’s ‘More Life’ stack up with his other projects?
Two writers weigh in.
Review: Pitbull’s ‘Climate Change’ misses the mark
Mr. Worldwide’s 10th studio album could use some major revisions.
Review: Charli XCX’s ‘Number 1 Angel’ is the pop mixtape you never knew you needed
The singer-songwriter’s latest project is unique, futuristic and, best of all, catchy.
Review: ‘Heartworms’ is a wistful, fun return for The Shins
It’s the group’s first album since 2012’s ‘Port of Morrow.’
EDM Dos and Don’ts with Calvin Harris and The Chainsmokers
What “Slide” and “Something Just Like This” say about making a hit dance record in 2017.
Is Post Malone a fraud?
The white rapper often comes across more as an industry plant than a genuine emcee.