Review: Cashmere Cat’s ‘9’ reimagines the pop song The producer’s debut album — which features Ariana Grande, The Weeknd and more — takes radio-ready music in weird, wonderful directions. Patrick Basler April 30, 2017
Review: Rapper blackbear’s ‘digital druglord’ is an eclectic mix of styles In a lot of ways, the diversity of sounds works. Jarod Golub April 25, 2017
Review: Brad Paisley’s ‘Love and War’ shows limited growth Featuring Timbaland, the album comments on the perils of the internet and treatment of U.S. veterans. Jarod Golub April 23, 2017
Review: Frank Iero and The Patience embrace the disillusioned at the Baltimore Soundstage There’s a cozy sense of camaraderie that comes with being a fuck-up in a room full of fuck-ups. Tom Hausman April 23, 2017
Review: PJ Harvey embraces the political on first Philadelphia show in over a decade Harvey brought her urgent and political blues and punk songs to life with remarkable force. David Sexton April 23, 2017
Kendrick Lamar’s “DNA.” video sheds light on the rapper’s dense new album Why we NEED more videos from ‘DAMN.’ Patrick Basler April 19, 2017
Reviews: Kendrick Lamar is back with the bold, beautiful ‘DAMN.’ A roundtable of reviews on the latest from Kung Fu Kenny. Diversions Staff April 17, 2017
Review: Little Dragon’s ‘Season High’ is an exercise in escapism The track titles reflect the album’s jovial tone, including names like “Butterflies,” “Celebrate,” “Sweet” and “High.” John Powers April 17, 2017
Review: John Mayer’s ‘The Search for Everything’ falls short After waves one and two, the final product is disappointing. Jarod Golub April 16, 2017
Review: Father John Misty critiques our society and himself on “Pure Comedy” He deconstructs everything we know to be normal. John Powers April 10, 2017