Review: Rico Nasty’s ‘Nasty’ turns it up to 11
The Maryland rapper proves herself on her major label debut.
Review: Kanye West’s ‘ye’ falls short of expectations
The Old Kanye’s not coming back — this is who he is now.
The parallels in ‘Atlanta’ and ‘Awaken, My Love!’ show Donald Glover’s genius
Whether these similarities are intentional is a mystery, but they undoubtedly exist.
Alex Vaughn returns to the DMV, talks transition to LA and “The Shift”
The DMV songstress came back for a series of local performances, including a show at the Kennedy Center.
Billboard is changing how it counts music streams in its charts
Streams from ad-based services will count for less.
Review: John Mulaney’s ‘Kid Gorgeous’ is carried by hilarious storytelling
Vocal impressions and impeccable timing shined on his third special for Netflix.
Review: Janelle Monáe’s ‘Dirty Computer’ marks a beckoning of innovation and truth
It’s been five years, but Janelle Monáe’s new project is worth the wait.
Review: Kimbra’s ‘Primal Heart’ is better than you’d think — if a bit shallow
The New Zealander doesn’t stick to one genre.
Review: Post Malone’s ‘Beerbongs and Bentleys’ is one long song
Post Malone has pop-rap down to a science, and his new album sticks to the formula.