Review: The Faim has the stage presence and raw talent to make it big
The Australian pop-punk band rocked out at Baltimore Soundstage on Tuesday.
Review: The second half of Marina’s new album is as equally strong as the first
On ‘Fear,’ Marina teaches you how to become fearless.
Review: Taylor Swift’s new single, “ME!” feels disappointingly basic
The pop singer retired her ‘Reputation’ era for butterflies and rainbows.
Review: Jesse’s first solo tour is HYPE
The Neighbourhood singer has taught us all a valuable lesson in hypery.
Review: P!nk’s new album ‘Hurts 2B Human’ is emotional and emotionless
You could split this album in half and have two completely different experiences.
Review: Lil Dicky’s “Earth” shoots for the moon, but lands flat
All proceeds from the song and video will go toward fighting climate change.
Australian alt-rock band The Faim to perform in Baltimore with Andy Black
The Aussies will hit the Baltimore Soundstage on Tuesday, April 30.
Review: Cage the Elephant plays it safe on their new album, ‘Social Cues’
The alt-rock band released its 13-track album on Friday.
Review: Lizzo cements herself as a musical goddess with her latest album ‘Cuz I Love You’
In just 11 tracks, Lizzo finds the music to express her empowering journey to self-love.
Review: Beyoncé’s ‘Homecoming’ is a grand tribute to being black, a woman and a Southerner
The two-hour film is a culmination of all the things to love about Beyoncé.