Review: Perfume Genius and Slowdive offer two smooth albums worth a listen
New music for your listening pleasure.
Review: PJ Harvey embraces the political on first Philadelphia show in over a decade
Harvey brought her urgent and political blues and punk songs to life with remarkable force.
Review: Pharmakon’s ‘Contact’ is an all-out sonic assault
Margaret Chardiet’s third album for the project is punishing and visceral.
Review(s): Future’s new back-to-back albums show the rapper’s dual sides
‘Future’ and ‘HNDRXX’ are different records, but both highlight Future’s evolving sound.
Review: Bel Biv DeVoe falls short of a successful comeback on ‘Three Stripes’
The group fails to create a sound for both old and new fans alike.
The curious case of Lil Nas X and “Old Town Road”
The rap meets country crossover has caused quite the stir.
Review: British singer gives authentic performance at Pie Shop Bar
Vesper Wood, one half of the electronic duo Kaleida, gave a stripped back peek at her solo album.
Preview: Electronic duo Cherub to perform at 9:30 Club on Feb. 22
Tickets for the show cost $25.
Review: ‘Remind Me Tomorrow’ mixes fresh and boring to create a mediocre album
Sharon Van Etten has a unique sound, but it all starts to blend together.
Review: Childish Gambino’s “Awaken, My Love!” is not a rap album
And that’s OK because Childish Gambino is not a rapper.