REVIEW: Young Thug makes a triumphant return with ‘Slime Season 3’
Forget spring, it’s Slime Season.
Review: T-Pain boastfully returns on ‘Oblivion’
The singer/rapper/NPR Tiny Desk phenom’s fourth studio album is both solid and troubling.
The skepticism surrounding Auto-Tune
T-Pain says his use of Auto-Tune is an artistic decision, but others view it as a crutch. Why?
Gucci Mane and Keyshia Ka’oir’s all-white wedding on BET was incredible
The rapper’s wedding was as extravagant as you would expect.
Review: Kelela’s ‘Take Me Apart’ blends past, present and future
At 34, Kelela is a fresh face in pop music.
Review: Jacob Sartorius is growing up and his music is glo’ing up
The teen singer’s latest song, “No Music,” is his most impressive yet, but that doesn’t mean it was good.
Review: Old Dominion’s Not-So-‘Happy Endings’
The country group tries to break the mold with this all-encompassing love album.
Review: Perfume Genius and Slowdive offer two smooth albums worth a listen
New music for your listening pleasure.
Review: PJ Harvey embraces the political on first Philadelphia show in over a decade
Harvey brought her urgent and political blues and punk songs to life with remarkable force.
Review: Pharmakon’s ‘Contact’ is an all-out sonic assault
Margaret Chardiet’s third album for the project is punishing and visceral.