Review: Kaleo have their moment at the 9:30 Club
The gloomy weather didn’t stop a sold-out crowd from showing up.
Review: Unsurprisingly, Keaton Henson’s ‘Kindly Now’ is delightfully sad
Henson’s latest album touches on pain and love in the way only the wistful singer-songwriter can.
Review: Post Malone’s ‘Beerbongs and Bentleys’ is one long song
Post Malone has pop-rap down to a science, and his new album sticks to the formula.
Review: Glass Animals’ ‘How to Be a Human Being’ puts a priority on guilty pleasures
The Oxford, England,-based group’s sophomore effort is a strange, hypnotic telling of 11 fictional stories through song.
Review: Clams Casino’s ’32 Levels’ turns the producer into a star
A strong debut album from the man who is probably responsible for all of your favorite songs.
Social media and the 21st century album drop
Beyoncé, Drake and Chance the Rapper have all handled their social media presence surrounding their new or upcoming albums very differently.
Review: 2 Chainz reaches his full “glow” on ‘The Play Don’t Care Who Makes It’
The 40-year-old Atlanta rapper demonstrates a new level of maturity on his latest EP.
Happy Kanye is the best Kanye
The rapper has had lots of trial and tribulation in recent years, so pictures of him smiling ear-to-ear are always welcome.
How modern music is embracing a sexually explicit message
The industry is forgoing euphemism for something a little more forthright.