REVIEW: ‘Gods of Egypt’ doesn’t live up to the legends it depicts Why are the gods so boring? Tristan Madden /For The Diamondback February 25, 2016
Chasing Oscar: Staff picks for film’s greatest night To celebrate Oscar week, we’ll be bringing you essays all week arguing for the movies or performers we think deserve success this weekend. Diversions Staff February 21, 2016
REVIEW: ‘The Club’ is a film that demands to be felt The Chilean film is strongest in an opening act that is at once superbly crafted and deeply unsettling. Michael Errigo February 18, 2016
REVIEW: ‘Deadpool’ is a formulaic comedy with an antihero twist ‘Deadpool’ is a strange beast, an unconventional mix of over-the-top violence and unrelenting comedy. Tristan Madden /For The Diamondback February 11, 2016
REVIEW: ‘Zoolander 2’ is a sequel soaked in nostalgia It’s been a whopping 15 years since ‘Zoolander,’ the now-cult-classic comedy that chronicles a dimwitted male model brainwashed to assassinate the Malaysian prime minister, hit theaters. Mel DeCandia February 11, 2016
Who is Deadpool? A backstory You may be surprised to learn this slightly obscure Marvel super hero has a deep history that long predates his forthcoming blockbuster. Tristan Madden /For The Diamondback February 10, 2016
LASTING IMPACT: Mel Brooks and the greatest comedy of our time “Piss on you, I’m working for Mel Brooks!” Evan Berkowitz February 9, 2016
The humor behind a Swedish film taking Europe by storm ‘The 100-Year-Old Man Who Climbed Out the Window and Disappeared’ is a real movie, and it’s really good. Anna Muckerman February 4, 2016
REVIEW: ‘Hail, Caesar!’ goes for quantity over quality As a follow-up to their 2013 Oscar-level drama ‘Inside Llewyn Davis’, ‘Hail, Caesar!’ is the perfect change of pace. Michael Errigo February 3, 2016
Too much ‘Harry Potter’ might be a bad thing Is the beloved series past its prime? Mel DeCandia February 2, 2016