‘Love and Information’ challenges both the cast and the audience
Performed at The Clarice, the play is broken into 57 mini-stories.
Hirshhorn’s ecstatic ‘Infinity Mirrors’ cannot be contained
So immersive, demanding and enthralling a show does not do well to dwell within walls.
Behind Sepideh Salehi’s artwork featured at the Stamp Gallery
"Mirrored Re-Collection" is open until Dec. 15th.
Listen to episode two of our new podcast, The Dive
Featuring stories about censorship, art and Outkast.
Alumni artist Korey Richardson explores color, line and metaphor in new exhibit
The 2016 graduate is showcasing several pieces, which he completed during his time here, at MilkBoy ArtHouse.
Defending Driskell: The center makes necessary changes amid Cole renovations
Dorit Yaron wanted to know how the renovations would affect the African-American art museum.
Review: Experimental comedy popera ‘Now I’m Fine’ entertains at The Clarice
Ahamefule J. Oluo’s unique show possesses the ability to connect to a wide range of audiences.
Review: Olney Theater’s ‘Elf the Musical’ is an energetic, enjoyable holiday show
It might not have Will Ferrell, but the musical rendition of ‘Elf’ will get your holiday spirit pumping.
Instagram: a new medium for snapshot poetry
The question is whether Instagram itself generates this poetry, or if the poets have just found the perfect place.
‘The Wizard of Oz’ at The National Theatre is a standard retelling of a classic story
With an amazing set and tech, the show puts the 1939 film onstage.