Driskell Center’s “Posing Beauty” exhibit explores positive black representation
The exhibit is one of the center’s largest, and is mainly composed of photography.
“Moving Visuals” at the Driskell Center is shocking and enlightening
The exhibit dealt with issues of blackness, power and identity through bizarre videos and nude performance.
Review: UCB’s ‘We Know How You Die!’ is a delight at Woolly Mammoth
The improv group makes magic every night in their new Washington show.
ART REVIEW: Massive print show at National Gallery chronicles uniquely American rage
Among other things, “Three Centuries of American Prints” showcases works of public displeasure.
Review: ‘S-Town’ is audio storytelling at its finest
The new podcast from the team behind ‘Serial’ has become a phenomenon for a reason.
Driskell Center’s “Posing Beauty” exhibit explores positive black representation
The exhibit is one of the center’s largest, and is mainly composed of photography.
Review: Unexpected Stage Company’s ‘Zombie Prom’ is funny but forgettable
It’s the mix between ‘Grease’ and ‘The Walking Dead’ you didn’t necessarily need.
Review: “ICEBERGS” at Building Museum is Washington’s worst exhibition
“ICEBERGS” attempts to follow in this legacy of “WONDER” and “BEACH”, but lacks any of the quality that made the other two shine.
REVIEW: ‘The Flick’ at Signature Theatre wows with realism
Annie Baker’s Pulitzer-Prize winning play about a movie theater thrives off its bold singularity.
Review: At Signature, ‘Mrs. Miller Does Her Thing’ and we’re glad for it
The world premiere of James Lapine’s newest play was funny and thought-provoking.