ART REVIEW: Massive print show at National Gallery chronicles uniquely American rage
Among other things, “Three Centuries of American Prints” showcases works of public displeasure.
ART REVIEW: “Turquoise Mountain” at the Freer|Sackler is beautiful but tone-deaf
The show, which opened Saturday, promises via news release to transform the Smithsonian’s International Gallery into a “vibrant marketplace of Old Kabul.”
LASTING IMPACT: Mel Brooks and the greatest comedy of our time
“Piss on you, I’m working for Mel Brooks!”
ART REVIEW: Silent Dialogue: Helen Frederick at the Phillips
These lovely works ought to be enjoyed, contemplated and walked among in peaceful, quiet perfection. Let the art do the talking, if you will.
REVIEW: National Gallery’s ‘Power and Pathos’ exhibit shows a world long faded
A new exhibition at the National Gallery of Art shines a light on the Hellenistic period.