Preview: James Blake taking the stage at The Anthem on Thursday
The UK artist dropped his latest album ‘Assume Form’ earlier this year.
The Alvin Ailey Dance Theater returns to D.C. in perfect form
In its 60th year, the troupe does not miss a beat, or its message.
Driskell Center’s “Posing Beauty” exhibit explores positive black representation
The exhibit is one of the center’s largest, and is mainly composed of photography.
The Super Bowl halftime show tried to be cultured
The NFL has many hurdles to overcome, which will take some serious time and effort.
Review: While it’s bizarre at times, we can all learn from Killer Mike’s Netflix series
‘Trigger Warning with Killer Mike’ is trying to change the world a few people at a time.
In fighting for prison reform, Meek Mill is reforming himself
The Philadelphia rapper is finally willing to embrace his platform on ‘Championships.’
Review: ‘Green Book’ simplifies race, but prevails with a feel-good approach
881 7th Avenue: the address of New York’s Carnegie Hall. It’s otherworldly for Tony “Lip” Vallelonga (Viggo Mortensen), the blue-collar, loud-talking, face-busting Italian-American protagonist of…
Review: Jean Deaux is fully formed on her newest EP ‘Krash’
The Chicago singer/rapper is more focused than ever.
Panel at MilkBoy ArtHouse discusses the role of the music critic in the internet age
When everyone’s a critic, do critics still matter?
Review: ‘Mudboy’ makes it clear that Sheck Wes has some work to do
The Harlem rapper’s debut has a hard time keeping the momentum from “Mo Bamba.”