Don’t let the fact that Ben Kweller’s new album is unoriginally self-titled fool you; he knows what he’s doing.

After gaining critical acclaim for his two previous albums, Kweller is back with enough talent to single-handedly keep singer/songwriters afloat. His talent is all over this album, largely because he orchestrates and plays every instrument on the 11-track gem. He is a virtual one-man band.

Paired with producer Gil Norton (Counting Crows, Foo Fighters), Kweller achieves his most produced and polished sound to date. He shows his vocal range by implementing harmony upon harmony, perfectly complementing the layers of music in each song.

The album starts with “Run,” a 3-minute pop piece so neatly packaged it seems like a gift. It’s impossible not to tap your feet. The only problem with this song is the repetitive lyrics. Kweller runs so much in this song that he could quite possibly dominate Forrest Gump. He runs “Over hill, over dams … on the sand, over concrete … down the mountain, through the trails.” You get the point: Dude runs a lot.

Kweller’s first single, “Sundress,” is a delightful piano song that vividly displays his range and use of dynamics. His drum beat grooves from verse to chorus with the change in mood. Toward the end of the song, he changes the melody and recites, “I do everything you want me to,” over and over. You can hear his passion in his playing and in his voice.

“I Gotta Move” has a Beach Boys sound reminiscent of pop music from the ’60s. It’s a fun song that would fit on any playlist for a happy, sunny Saturday. It’s obvious this album is representative of the good times in Kweller’s life. It’s refreshing to hear someone embracing life rather than complaining about it.

“Penny on the Train Track” is one of Kweller’s most memorable songs to date. The song has a very Springsteen feel of the everyday man triumphing over his obstacles, saying everyone has the ability to take life into his or her own hands. Kweller is most inspirational on this song – musically and lyrically.

“Red Eye” would fit perfectly in any movie featuring Zach Braff. Kweller’s voice is clear and genuine, making it one of the best tracks on the album.

The biggest stretch for Kweller is the final track, “This is War.” Kweller sounds like Jack White in this full-on rock song. Layered electric guitars, distorted chords and a pounding drumbeat lend to the overall emotion of the lyrics.

If there was any doubt regarding Kweller’s songwriting skills or ability to make great music, this album will hush all critics. Kweller is at his best when living and singing in hyperbole. This album is based around finding the perfect blend of exaggeration and actuality.

This CD will fit perfectly in any collection because Kweller does not limit himself vocally or musically. His wide appeal and apparent drive prove that he indeed does know exactly what he is doing.

Contact reporter Michael Greenwald at greenwalddbk@gmail.com.